Preston Monongye (1927-1991), was born in Los Angeles to an Indian mother and a Mexican father. During the Great Depression, at the age of seven, he was abandoned by his mother in Hotwell to Hopi Indians David Monongahya and his wife Nora, who adopted the boy and raised him in the Hopi family traditions.
“Hopi is a philosophy, a way of life, meaning ‘People of Peace’. You can be red, white, yellow or black, it doesn’t matter: if you are a ‘Person of Peace’, you are Hopi.” This is how David Monongah explained to Preston the traditions of the Hopi Indians, who were excellent craftsmen: jewelers, weavers, basket makers and wood carvers. There he learned blacksmithing from his relative Gene Puyoma and began to create jewelry.
During World War II, Preston served as a paratrooper, and after demobilization, he joined the Bureau of Indian Affairs, continuing to design and create silver jewelry in his spare time.
In the 1960s, he again took up the creation of jewelry in the technique that brought him wide fame, making him a recognized leader of the “New Indian Jewelry” movement of the 1970s. Using traditional Indian motifs, he created modern cast silver jewelry with traditional Native American stones. Monongah taught his art in various schools and workshops and lectured on contemporary Native American design. He has won numerous awards at exhibitions and competitions, and his jewelry can be seen in museum collections.